![]() I applied it to a couple of songs where I'd already taken a stab at mastering, to see what it would do. What it can do is adjust EQ, dynamics, and imaging. ![]() Ozone can't crossfade transitions between songs, skillfully splice out that overindulgent four bars of a solo, determine an album's running order, do deep waveform surgery, run off a vinyl-friendly version, etc. First, with all due respect, any engineers who think it's going to put them out of a job simply means they're not doing their job. Of course, "real" mastering engineers will probably go ballistic, but I'm a real mastering engineer, and I'm not freaking out at all. For those not familiar with it, Ozone listens to a piece of music, then adjusts its various processors to produce what it thinks is a good master, or at least a point of departure for additional tweaking. It has a lot of modules so this will develop over time, but of course, I first tried out the AI-driven Mastering Assistant.
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